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8 January 1836 – 25 June 1912. Most renowned painters.

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MASOLINO da Panicale
Healing of the Cripple and Raising of Tabatha

ID: 32404

MASOLINO da Panicale Healing of the Cripple and Raising of Tabatha
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MASOLINO da Panicale Healing of the Cripple and Raising of Tabatha


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MASOLINO da Panicale

Italian Early Renaissance Painter, ca.1383-1447 Florentine painter of the early Renaissance, whose real name was Tommaso di Cristoforo Fini. His versatile painting incorporated his feeling for decorative color with strong modeling and spatial organization. He was admitted (1423) to the apothecaries' guild in Florence, in which painters were enrolled, and was soon commissioned to paint the frescoes in the Brancacci Chapel in Florence. These were continued by his pupil Masaccio upon Masolino's departure (1427) for Hungary and were completed by Filippino Lippi, thus greatly complicating the question of authorship; currently scholars attribute to Masolino St. Peter Preaching, St. Peter Healing the Cripple, The Raising of Tabitha, and The Fall of Adam and Eve. Upon his return to Florence, Masolino found painters occupied with problems of perspective, light and shade, and classical architecture and decoration, ideas that he utilized while retaining much of the old Giottesque tradition. He went to Rome where he painted frescoes in the Church of San Clemente for the Cardinal Branda Castiglione. For the same patron he decorated the church of Castiglione di Olona in the province of Como, Italy. There he represented scenes from the life of the Virgin and of St. John the Baptist. Attributed to Masolino are The Foundation of Santa Maria Maggiore and a Madonna and Christ in Glory (Naples);   Related Paintings of MASOLINO da Panicale :. | The Philosophers of Alexandria sg | Temptation of Adam and Eve | St Peter Preaching | Modonna of Humility | Saint Peter and Saint Paul (nn03) |
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Stephen Pearce
(London, 1819-904) was a portrait and equestrian painter. Forty-four portraits which he painted are in the National Portrait Gallery in London, which also contains two self-portraits.
Tait Arthur Fitzwilliam
English-born American Painter, 1819-1905 American painter and lithographer of English birth. He spent the first three decades of his life in England and arrived in New York in 1850. Steeped in admiration for the subjects of Edwin Landseer and the style of the Pre-Raphaelites, he established himself as a realistic painter of animals and sporting scenes. For his images of Western hunters and trappers, he used as sources the works of George Catlin and William Ranney, artists who, unlike himself, had travelled extensively. He established a summer studio at a camp in the Adirondack Mountains, where he painted sporting scenes. These wilderness scenes, often composed around an anecdote, appealed to a wide popular audience, and from 1852 Currier & Ives as well as Louis Prang published a number of lithographs and chromolithographs of his work. Tait also composed still-lifes of game birds and, in his later career, barnyard scenes of sheep and chickens. His painting A Tight Fix: Bear Hunting in Early Winter
Jan Rustem
(b. 1762 in Istanbul - d. 1835 near Dekštas, Lithuania) was a painter of Armenian, Turkish or Greek ethnicity who lived and worked in the territories of the Polish CLithuanian Commonwealth. Primarily a portrait painter, he was commissioned to execute portraits of notable personalities of his epoch. For many years he was a professor at the University of Vilna, the predecessor of Vilnius University. He was born in Instanbul, and a young boy was sponsored by Adam Kazimierz Czartoryski who invited him to the Commonwealth around 1774. Czartoryski paid for his studies in Warsaw, where among his tutors were Jean-Pierre Norblin de La Gourdaine and Marcello Bacciarelli. Between 1788 and 1790 he moved to Germany, where he became a freemason. Two years later he returned to the Polish?CLithuanian Commonwealth and lived for some time in Warsaw, later moving to Vilna. Following the partitions of the Commonwealth, Rustem started working for the Common School of Vilna, which was later remamed the Imperial University of Vilna, as assistant to Franciszek Smuglewicz. After Smuglewicz's death, Rustem took over some of his duties. In 1811 he became a professor of sketching and in 1819 became a professor of painting. Rustem retired in 1826, but continued to give lectures until his death.






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